Michele Witthaus
In school plays of long ago,
we had to look
for gaffer-taped crosses
placing the actors
in just the right spot.
Confusion arose
due to the vestiges
of previous instructions,
faint traces of
chalk or paint
on the wood
of a well-trodden stage.
Now, taped crosses
divide the space
in supermarkets
and all those places where
the show must go on
and people try hard
to stick to a script
they barely understand,
while children file back
to stage-set schools
with bright new lines
to keep them in place
for the length of the drama
known as ‘Covid-19’.
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